Theater, Performance und Tanz in Hamburg - Kampnagel

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Grosse Bühne: Highlights
She She Pop:


  • © Benjamin Krieg
  • © Benjamin Krieg
  • © Benjamin Krieg
  • © Benjamin Krieg
Theater & Performance
  • Fri, 08.02.2019 20:00 [Premiere]
    Kampnagel – K2
  • Sat, 09.02.2019 20:00
    Kampnagel – K2
  • Sun, 10.02.2019 16:00
    Kampnagel – K2
  • Sun, 10.02.2019 20:00
    Kampnagel – K2

Property changes consciousness. It grants power over others and excludes. It is not talked about. Yet nothing is as constitutive for our society or our coexistence; nothing has such a divisive effect on our community. ORATORIO is a collective meditation. In rehearsed and spontaneous speaking choruses, a multi-voiced soliloquy by the property-owning public develops on the subject of concrete ownership and social participation. Who is allowed to speak? Who is represented? Who pays? We are divided. And meet in a collective monologue.

Ticket Special GROSSE BÜHNE: If you buy two tickets for at least two different shows at once, you receive a discount of 20% on fullprice tickets. Further Information: GROSSE BÜHNE HIGHLIGHTS

  • by / with: Sebastian Bark, Johanna Freiburg, Fanni Halmburger, Lisa Lucassen, Mieke Matzke, Ilia Papatheodorou, Berit Stumpf, Chor der lokalen Delegierten
  • stage design: Sandra Fox
  • costumes: Lea Søvsø
  • music: Max Knoth
  • trumpet: Richard Koch
  • vibration: Karl Ivar Refseth
  • artistic direction: Ruschka Steininger
  • dramaturgy assistance: Peggy Maedler
  • direction assistance: Laia Ribera
  • traineeship: Magdalena Weber
  • equipment assistance: Vivien Wanek
  • technical direction, light design: Sven Nichterlein
  • supertitle program: Panthea
  • project management: Anne Brammen
  • public relations: ehrliche arbeit - freies Kulturbüro
  • tour management: Tina Ebert
  • administration: Aminata Oelßner
  • Company Management: Elke Weber

In Kooperation mit dem Lux aeterna Festival der Elbphilharmonie. Gefördert durch die Kulturstiftung des Bundes und die Berliner Senatsverwaltung für Kultur und Europa. Gefördert durch die ZEIT-Stiftung Ebelin und Gerd Bucerius im Rahmen der Reihe ZEIT FÜR WELTTHEATER und im Rahmen des Bündnisses Internationaler Produktionshäuser gefördert von der Beauftragten für Kultur und Medien.

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