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In a harbor basin, the silhouettes of several women stand out against the sunlight; it seems as if they are walking on water.
© geheimagentur
In a harbor basin, the silhouettes of several women stand out against the sunlight; it seems as if they are walking on water.
© geheimagentur
International Summer Festival 2022
Performance / Discourse

Geheimagentur / Female Seafarers' Association Of Nigeria

Women Of The Seven Seas

Women of the Seven Seas unite!

Tickets:

Free entrance, registration via webshop.

Past dates

Archive

Wednesday

8/17/22

7:00 PM

Archive

Thursday

8/18/22

7:00 PM

Archive

Friday

8/19/22

7:00 PM

Women of the Seven Seas is a group of female artists, researchers and seafarers who locate their work on and with the seven seas. Initiated by the Hamburg-based theory and performance group
geheimagentur and the Female Seafarers’ Association of Nigeria (FESAN), the group explores the question: Will the growing number of women working on and with the sea make a difference and bring an end to maritime patriarchy? It is a structure that has grown out of wars, colonialism, and the exploitation of natural resources and should be restructured. After the opening performance, geheimagentur invites you to a salon with music and drinks to introduce the real Women of the Seven Seas: Three fabulous representatives of the FESAN and the artist Mary Mattingly from New York are guests in Hamburg and will speak on their work during the evenings; while Shefarer Nova Ruth plays a live concert from aboard her boat project Arka Kinari in the Indian Ocean.

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Concept, Text, Performance: geheimagentur Soundtrack: Lil Twills Live Performance: Koni Maryamnu Duniya, Edisenimi Evelyn Youdeowei, Dorcas Uwem Yonah, Mary Mattingly, Nova Ruth Voices: Koni Maryamnu Duniya (Female Seafarers' Association of Nigeria), Nova Ruth, Francoise Vergès, Maria Ines Plaza Lazo, Jim Ismael Anton, Heike Roms und Lil Twills Production Management: ehrliche arbeit – freies Kulturbüro

SALON AND SCHOLARSHIPS supported by Kulturstiftung des Bundes

LECTURE PERFORMANCE supported by Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and Media within the program NEUSTART KULTUR