Theater, Performance und Tanz in Hamburg - Kampnagel

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Internationales Sommerfestival 2022
Back To Back Theatre:

The Shadow Whose Prey The Hunter Becomes

 
  • © Jeff Busby
  • © Jeff Busby
  • © Zan Wimberley
  • © Zan Wimberley
  • © Zan Wimberley
  • © Zan Wimberley
  • © Zan Wimberley
  • © Zan Wimberley
Theater & Performance / Wheelchair users / With hearing amplification
  • Duration: 65 Min.
  • Tickets: 24 / 14 Euro (conc. from 9 Euro, 50% conc. with Festivalkarte)
  • In English language with English surtitles.

  • Thu, 11.08.2022 19:00 [German Premiere]
    Kampnagel – K1 Tickets
  • Fri, 12.08.2022 19:00
    Kampnagel – K1 Tickets
  • Sat, 13.08.2022 16:00
    Kampnagel – K1 Tickets
  • Sat, 13.08.2022 20:15
    Kampnagel – K1 Tickets

A witty, theatrical epiphany dealing with mistakes, misconceptions and misinterpretations ponders the question, what intelligence means?

Back to Back Theatre already put a spell on the audience at Hamburg main station with their work SMALL METAL OBJECTS in 2009 and most recently showed LADY EATS APPLE (2017) at the festival Theater der Welt in Hamburg. Primarily working with disabled protagonists, the company is the first of its kind to win the International Ibsen Award, one of the highest endowed theatre awards. In 2022 Back to Back Theatre will now return to Hamburg with its new play. This time an activists’ conference takes place on stage, with the participants encountering an artificial intelligence, that also plays a main role in the piece. Together they create an emotive debate on socio-political issues, discussing terminologies, questioning social standardization and eventually revealing preconceived notions of the audience. They question what is possible in the realm of theatre, but also presumptions we have of ourselves and others. Situations of vulnerability merge into humorous scenes full of wit, in which Back to Back Theatre calls to mind that nobody’s on their own, as we’re all co-responsible.


  • By: Mark Deans, Michael Chan, Bruce Gladwin, Simon Laherty, Sarah Mainwaring, Scott Price, Sonia Teuben
  • Music: Daniel Farrugia, Luke Howard, Jonathon Zion / Luke Howard Trio
  • With: Simon Laherty, Sarah Mainwaring, Scott Price
  • Director: Bruce Gladwin
  • Screen Design: Rhian Hinkley, Lowercase
  • Lights: Andrew Livingston, Bluebottle
  • Sounddesign: Lachlan Carrick
  • Kostüme: Shio Otani
  • Script Consultant: Melissa Reeves
  • Translation: Jennifer Ma
  • Production Management: Bao Ngouansavanh, Tanya Bennett
  • Stage management, Sound Engineering: TBC
  • Company Management: Erin Watson
  • Creative Developement: Michael Chan, Mark Cuthbertson, Mark Deans, Rhian Hinkley, Bruce Gladwin, Simon Laherty, Pippin Latham, Andrew Livingston, Sarah Mainwaring, Victoria Marshall, Scott Price, Brian Tilley, Sonia Teuben
  • Executive Production: Tim Stitz

COMMISSIONED BY Carriageworks (Sydney), Theater der Welt 2020 (Düsseldorf), Keir Foundation (Sydney), Thyne Reid Foundation (Sydney), The Anthony Costa Foundation (Geelong)

SUPPORTED BY Creative Partnerships Australia by Plus1, Geelong Arts Centre, Arts Center Melbourne, Melbourne International Arts Festival, Une Parkinson Foundation (Blackburn), The Public Theater (New York), ArtsEmerson (Boston)

DEVELOPMENT in part at the 2019 Sundance Theater Lab at MASS MoCA

SUPPORTED BY Australia Council for the Arts, Creative Victoria, City of Greater Geelong with support from the Department of Education & Training, Victoria through the Strategic Partnerships programme
 


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