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Internationales Sommerfestival 2017
Annie Dorsen:

The Great Outdoors [Avant-Premiere]

 
  • © Julieta Cervantes
  • © Julieta Cervantes
Theater & Performance
  • Wed, 16.08.2017 21:00
    Kampnagel – P1
  • Thu, 17.08.2017 18:00
    Kampnagel – P1
  • Thu, 17.08.2017 21:00
    Publikumsgespräch
    Kampnagel – P1
  • Fri, 18.08.2017 18:00
    Kampnagel – P1 Sold Out
  • Fri, 18.08.2017 21:00
    Kampnagel – P1

An internet-comment dream journey under the digital night sky of an inflatable planetarium.

In THE GREAT OUTDOORS the New York-based artist Annie Dorsen dedicates herself to the phenomenon of comment threads on the internet in all its depths. Each day, new comments about cat videos, recipes, political news and philosophical questions are collected from chat portals such as reddit and 4chan. Based on anonymous and bodiless comments that their writers type into the unknown depths of cyberspace, a new text is generated by a computer algorithm for each performance. And while the audience is sitting under the digital starry sky of an inflatable planetarium, a storyteller breathes new life into the texts. THE GREAT OUTDOORS is a dream-like journey from the utterly insignificant to the core of political and cultural discourse in the digital age (more about this also in our conference DISRUPTING DEMOCRACY).

Evening Sheet (PDF) available for download here.

 

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  • concept, direction : Annie Dorsen
  • starshow design : Ryan Holsopple, Annie Dorsen
  • sound / music design : Sébastien Roux
  • video programmer: Ryan Holsopple
  • text programming : Miles Thompson, Marcel Schwittlick
  • dramaturg : Onome Ekeh
  • technical direction : Ruth Waldeyer
  • performer : Kaija Matiss
  • management / producer : Alexandra Rosenberg

Supported by the Hermès Foundation within the framework of the New Settings Program. Co-produced by BIT Teatergarasjen & Bergen International Festival, Crossing the Line Festival/French Institute Alliance Française and Noorderzon/Grand Theatre Groningen. Developed in part with support from King’s Foundation; and by Live Arts Bard at the Richard B. Fisher Center for the Performing Arts at Bard College; and supported by a residency at Abrons Arts Center (New York, NY). 


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